<?xml version="1.0"  encoding="UTF-8" ?>
<!-- RSS generated by F+W Media v1.0 on Wednesday, March 10, 2010 -->
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
<channel>
<title>Print: Profiles</title>
<link>http://www.printmag.com/</link>
<description>In-depth portraits (Inspiration)</description>
<language>en-us</language>
<atom:link href="http://printmag.com/rss/ArticlesByCategory.ashx?Category=Profiles" rel="self" type="application/rss+xml" />
<copyright>Copyright 1997-2002 F+W Media</copyright>
<lastBuildDate>Wed, 10 Mar 2010 21:04:40 -0500</lastBuildDate>
<item>
<title>Kenzo Minami</title>
<link>http://printmag.com/Article/Kenzo-Minami</link>
<description>At the end of this yet-to-be-named decade, designer Kenzo Minami wants to look forward. The dominant theme of the 2000s has been repetition, remaking, looking back. But there hasn&apos;t been anything totally new</description>
<pubDate>Wed, 09 Sep 2009 11:41:00 -0500</pubDate>
<guid>http://printmag.com/Article/Kenzo-Minami</guid>
</item>
<item>
<title>Josh Cochran</title>
<link>http://printmag.com/Article/NVA2009_Josh_Cochran</link>
<description>Josh Cochran, one of Print&apos;s 2009 New Visual Artists, combines realistic and cartoon-like elements with a quirky humor. “It’s good to have a recognizable look,&quot; he says. &quot;It’s even better if I can transcend it.”</description>
<pubDate>Sat, 20 Jun 2009 12:57:00 -0500</pubDate>
<guid>http://printmag.com/Article/NVA2009_Josh_Cochran</guid>
</item>
<item>
<title>Hannah Cho</title>
<link>http://printmag.com/Article/NVA_2009_Hannah_Cho</link>
<description>The first thing you notice about Hannah Cho is her unshakeable joy. She calls herself “blessed,” “grateful,” “thankful”; she describes others as “wonderful” and “the best.” Endearing, exuberant, and prone to hyperbole</description>
<pubDate>Sat, 20 Jun 2009 09:17:00 -0500</pubDate>
<guid>http://printmag.com/Article/NVA_2009_Hannah_Cho</guid>
</item>
<item>
<title>Josef Reyes</title>
<link>http://printmag.com/Article/NVA_2009_Josef_Reyes</link>
<description>Josef Reyes’s favorite project won’t be in his portfolio. It won’t be in a magazine, and it won’t be on a bookshelf. Only a few dozen people will ever see it. “It’s certainly not the most glamorous project ever,” he says</description>
<pubDate>Sat, 20 Jun 2009 09:17:00 -0500</pubDate>
<guid>http://printmag.com/Article/NVA_2009_Josef_Reyes</guid>
</item>
<item>
<title>Franklin Vandiver</title>
<link>http://printmag.com/Article/NVA2009_Franklin_Vandiver</link>
<description>Franklin Vandiver grew up in a design-conscious household in Huntsville, Alabama. “In school, I was the kid who could draw,” he says, “so I always ended up doing the album covers for friends in bands.”</description>
<pubDate>Sat, 20 Jun 2009 09:17:00 -0500</pubDate>
<guid>http://printmag.com/Article/NVA2009_Franklin_Vandiver</guid>
</item>
<item>
<title>Eleanor Davis</title>
<link>http://printmag.com/Article/NVA_2009_Eleanor_Davis</link>
<description>Eleanor Davis insists that she’s no prodigy. “I think because I was never particularly a good artist, I was always aware that it wasn’t something I was good at naturally. I had to work at it really hard.” She had a head start, though.</description>
<pubDate>Sat, 20 Jun 2009 09:17:00 -0500</pubDate>
<guid>http://printmag.com/Article/NVA_2009_Eleanor_Davis</guid>
</item>
<item>
<title>Labour</title>
<link>http://printmag.com/Article/NVA_2009_Labour</link>
<description>“The American spelling wasn’t pretentious enough,” says Ryan Dunn—one half of Labour—in a studio near Brooklyn’s Gowanus Canal. Dunn shoots a glance at the other half of the team, Wyeth Hansen, and they both</description>
<pubDate>Sat, 20 Jun 2009 09:17:00 -0500</pubDate>
<guid>http://printmag.com/Article/NVA_2009_Labour</guid>
</item>
<item>
<title>Renda Morton</title>
<link>http://printmag.com/Article/NVA_2009_Renda_Morton</link>
<description>If you look at the web as an extension of print, you’re going to be disappointed, according to web designer Renda Morton. “You have to accept the web’s constant evolution as a positive thing; then you can really</description>
<pubDate>Sat, 20 Jun 2009 09:17:00 -0500</pubDate>
<guid>http://printmag.com/Article/NVA_2009_Renda_Morton</guid>
</item>
<item>
<title>Zigmunds Lapsa</title>
<link>http://printmag.com/Article/NVA2009_Zigmunds_Lapsa</link>
<description>Zigmunds Lapsa isn’t easily fazed. He grew up in Riga, the capital of Latvia, which he describes as a “country with 2.3 million people and 5.4 graphic designers at that time.” After two years in a local design program</description>
<pubDate>Sat, 20 Jun 2009 09:17:00 -0500</pubDate>
<guid>http://printmag.com/Article/NVA2009_Zigmunds_Lapsa</guid>
</item>
<item>
<title>Jason Tam</title>
<link>http://printmag.com/Article/NVA_2009_Jason_Tam</link>
<description>Bold, imaginative forms and inventive typography course through Jason Tam&apos;s work, along with carefully framed, striking photos, and flourishes of his latest obsession: metallic gold. It seems logical, then, that</description>
<pubDate>Sat, 20 Jun 2009 09:17:00 -0500</pubDate>
<guid>http://printmag.com/Article/NVA_2009_Jason_Tam</guid>
</item>
</channel>
</rss>
